Latest Theatrical Reviews
A Dirty Shame (2004)
Takes apart conservative middle-class society by opening the floodgates of sexual desire...a non-stop cavalcade of fetishes, novelty songs, and bawdy slang.
The generic parallel plots of sports-movie suspense and falling-in-love sap squeeze stars Paul Bettany and Kirsten Dunst together like so much peanut butter and jelly.
Sky Captain and the World of Tomorrow (2004)
Though the exercise is ultimately empty,
Sky Captain and the World of Tomorrow
must be seen to be disbelieved, so off you go.
Mr. 3000 (2004)
Bernie Mac's...vehicle may be more like an Acura than a Porsche, but it gets decent mileage out of its mildly funny character comedy.
We here at New Line Cellular...have the plan for you!...92 inflexible real-time minutes that are sure to pump up your fast-paced, action-packed lifestyle.
Head in the Clouds (2004)
Flashes of wit [aside]...flimsy narration and flaccid acting (particularly from Townsend in a central role) do nothing to bolster this well-intentioned but forgettable film.
Resident Evil: Apocalypse (2004)
With apologies to Joe Bob...Countless dead bodies. Six breasts...Beer-swilling cowboy zombie-sniper. Demon dogs...Gratuitous accents...Graveyard Fu...
Gokudô kyôfu dai-gekijô (Gozu) (2004)
The absurdist staging suggests a kind of magic surrealism; Miike literally turns homosexual panic inside out.
Ghost in the Shell 2: Innocence (2004)
Roughly equivalent to the
sequels: drama-starved dazzle and irresolute interrogation.
Vanity Fair (2004)
Taking a cue from Thackeray's spry, witty, self-referential narration, Indian director Nair emphasizes the allusions to her native country...as a land of exotic escape...
Bright Young Things (2004)
Easy come, easy go...has the right satirical snap, energetic pace, and likeable performances to stay consistently amusing.
By the end, those who haven't seen
may applaud the entertaining sleight-of-hand...those who have may lament that
is the proverbial old dog.
A sleazy thriller which takes celebrity photo hounds to task for being sleazy...As in Gibson's...
, and others, the evil-doers must pay, Old Testament-style...
Tae Guk Gi: The Brotherhood of War (2004)
Fearless extremity...Brotherhood finally coalesces into an inescapable metaphor illustrating the madness of civil war.
Wicker Park (2004)
An interesting formal exercise: exceedingly hard to swallow, but quietly engrossing...deserves style points for sticking to an unconventional narrative.
Yes Nurse! No Nurse! (2004)
Perhaps it's all in the translation, but
Yes Nurse! No Nurse!
makes only a so-so musical...[enhanced by] campy, candy-colored design...
Von Trotta's conceptual successes rarely translate into dramatic ones...Nevertheless, Von Trotta makes her points...while illuminating a subcultural story of the Holocaust.
Mean Creek (2004)
Estes's film casts prismatic light on the persistent issues of bullying, youth violence, and their mortal and emotional consequences.
Suspect Zero (2004)
Plays like a David Lynch movie thwarted by studio-mandated rewrites and...executives hoping for another
but willing to settle for another
Uncovered: The Truth About the Iraq War (2004)
Cogent...this too-rare piece of skeptical journalism may play a significant role in our consideration of this moment in history.
Broadway: The Golden Age—By the Legends Who Were There (2004)
Documentarian Rick McKay embarks, likeably, on a fool's errand in his film Broadway: The Golden Age—By the Legends Who Were There. To attempt to encapsulate the best years of Broadway into a 11...
Benji: Off the Leash! (2004)
Good intentions aside, the return of writer-director-producer Joe Camp's "Benji" is terminally boring.
The Village (2004)
A well-meaning, half-hour
episode stretched to the outer limits of a two-hour feature.
The United States of Leland (2004)
The United States of Leland has a puppy-dog sincerity and an I.Q. to match. This star-studded indie—which juggles Kevin Spacey, Ryan Gosling, Jena Malone, Don Cheadle, Chris Klein, Michelle Wil...
The Terminal (2004)
In his fluffily entertaining but sketch-thin comedy-of-hazing The Terminal, Steven Spielberg accounts for America in binary code: America is oppression and freedom, exclusion and inclusion, stamps an...
The Reckoning (2004)
Paul McGuigan's The Reckoning amounts to exactly as much as the sum of its parts. Though some of the numbers in this equation are irrational, the parts are generally good. Unfortunately, McGuigan sho...
The Princess Diaries 2: Royal Engagement (2004)
Toy tiaras for orphans! (the first one's always free)...Another day, another dollar for Disney's lucrative business of breeding...ever-longing dream princesses.
The Prince and Me (2004)
The Prince and Me appears to be one of those rare films by which a thoughtful director takes a stereotypical, obvious screenplay and tweaks it into a look at the enduring archetypes we could not shak...
The Perfect Score (2004)
Apparently, Hollywood knows two things about teens: they hate the SAT and they love The Matrix. Thus, we have The Perfect Score, an SAT-panic movie in which six teens conspire to steal the test (but...
The Notebook (2004)
The Notebook, based on Nicholas Sparks's best-selling novel, is almost good enough to bypass its own shortcomings and become a romantic-weepie classic...almost. Its parallel romantic plots, in past a...
The Manchurian Candidate (2004)
An "A" for effort...Still, the frayed plot strands of the 2004
make it a lame duck to Frankenheimer's first-term thriller.
The Ladykillers (2004)
The artistic discrepancy between the Coen Brothers' remake of The Ladykillers and Alexander Mackendrick's 1955 film illustrates the Coens' problem of ballooning fussiness and shrinking effect. Macken...
The Hunting of the President (2004)
Before and during the Clinton presidency, Hollywood player Harry Thomason (along with wife and creative partner Linda Bloodworth-Thomason) served as image consultant for the president. Now that Bill...
The Fog of War (2003)
In the midst of the latest bout of global unrest, Errol Morris's documentary The Fog of War seems as much a glimpse of our future as a document of the present and a reflection of the past. This in-de...
The Dreamers (2004)
Bernardo Bertolucci's The Dreamers is a beautiful, effusive mess of cinema. Though it suffers from preciousness, it is also precious in its affirmation of Bertolucci's visual mastery, contemplative t...
The Door in the Floor (2004)
In his intriguing adaptation of the first 183 pages of John Irving's A Widow for One Year, writer-director Tod Williams loses some emotional clarity but gains haunting ambiguity. Faithful, but not sl...
The Corporation (2004)
Within the obvious limitation of tackling its enormous titular subject, The Corporation is a surprisingly breezy, compulsively watchable audio-visual book for all of its 145 minutes. Exploded from th...
The Company (2003)
Robert Altman's lovably fussy idiosyncrasy has a way of making his subjects seem like everything and nothing at once. With his infamous zooming camera and shotgun mikes trained on the ballet world, A...
The Clearing (2004)
Mildly diverting but bound to be forgotten, The Clearing marries a not entirely convincing kidnap melodrama to a domestic melodrama. In the process, no new ground is covered in either genre, nothing...
The Day After Tomorrow (2004)
Could global warming lead, in our lifetimes, to a superstorm and the New Ice Age? Roland Emmerich's
The Day After Tomorrow
says: sure, why not?
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