Latest Theatrical Reviews
King's Ransom (2005)
Populated solely with hateful characters...strictly for connoisseurs of crass.
A Lot Like Love (2005)
Earns points for resisting the usual corny romantic comedy gimmicks (I'm looking at you,
The Wedding Date
!) for most of its running time.
Saving Face (2005)
The affectionate ribbing of the cultural milieu and Joan Chen's sly performance raise this a cut above the...[formulaic] lesbian romances and "my crazy family" comedies.
House of D (2005)
Duchovny shows signs of wit and wisdom [but this] feels much more written than lived...for every funny or gut-wrenching moment, three head-scratching ones are sure to follow.
Voices in Wartime (2005)
Making poetry cinematic requires greater imagination than King evinces...If the medium isn't always as sturdy as the message, that's a fault that can be readily overlooked.
Comme une image (Look at Me) (2005)
Look at Me
...states the film's theme: the difficulty of getting...attention and the horrible realization that, when it comes, it usually comes for the wrong reasons.
Guka Omarova's assured first feature
is a noir forced out into the sunlight.
I'd say that this mixed bag is better toted home from a video store, but Wong Kar-Wai's just not as swoony on a picture tube...cineastes, proceed with caution.
Fever Pitch (2005)
may be something short of miraculous, but perhaps it isn't how you play the game that matters after all, as long as you have a "winning" personality.
Masculine brooding [fuels]
, with its monolithic, steam-spewing tower, powered by balls, constantly rumbling out of control.
Beauty Shop (2005)
You may not "get krunked" with
, but you know what you're getting into. It's sitcom-ready material that delivers on its promise.
Here among the grapes is the flow of history, draining aging old-world tradition to its dregs as speed-oriented mass production tops it off.
Guess Who (2005)
A warm movie that's well cast and funny enough as it works through passive-aggressiveness to aggressive-aggressiveness and finally the acceptance of family.
Miss Congeniality 2: Armed and Fabulous (2005)
Bullock's quippy snippiness isn't enough...If
is a consolation prize, let's hope
Miss Congenialty 2
is a parting 'gift.'
Melinda and Melinda (2005)
For all its failings...[has] enough thoughtfulness, creative energy, and comedic idiosyncracy to outpace any
modern comedies, much less two.
Der Untergang (Downfall) (2005)
A somber accounting crafted with impressive verisimilitude and anchored by Bruno Ganz's rock-solid performance as the Führer...perhaps the definitive film on its subject.
Im toten Winkel - Hitlers Sekretärin (Blind Spot) (2003)
In his brilliant Crimes and Misdemeanors, Allen's documentary filmmaker takes a job shooting a documentary about an insufferable TV producer played by Alan Alda. As an antidote, he retreats to his o...
Ice Princess (2005)
Personally, I hope the press notes for
will be the only ones this year to include the phrase "hunky zamboni driver," but you just never know.
Off the Map (2005)
The Land of Enchantment lives up to its name in this unusual and surprisingly affecting comedy-drama.
Walk on Water (2005)
Interest never wanes as this story unfolds, though [screenwriter] Uchovsky starts a lot more than he can finish satisfactorily in 104 minutes.
Holding back tears, Willis actually delivers the soon to be immortal line "Yeah, Tommy, Captain Wubba's gonna save Planet Xenon." Now, that sounds like a movie.
I'm hard-pressed not to recommend
as an energetic family-movie distraction...[but] plotting is...mechanical.
Ice Age (2002)
Sizing up fox's new animated entry Ice Age, it's hard not to think about the no-brainer formula fueling the recent, abundant output of animated kiddie flicks. Though each film has its own spin, the b...
Dear Frankie (2005)
isn't a good film, but it is a nice little movie...[about] what can happen when people become the conscious artists of their own lives.
Gunner Palace (2005)
A valuable if understandably haphazard record of the American occupation of Iraq.
remade with butter knives...takes a lazily superficial tack on the old werewolf yarn.
Dare mo shiranai (Nobody Knows) (2005)
Emotional truth and delicate visual cues distinguish a story so patiently naturalistic that the viewer will feel a part of this dysfunctional family.
Inside Deep Throat (2005)
The disconcerting examples of Damiano, Reems, and Lovelace—each, in his or her way, regretful—are the hardest pills to, um, swallow.
Diary of a Mad Black Woman (2005)
I'm not sure if
Diary of a Mad Black Woman
is heartfelt or cynical, but if anyone can write a movie that's both, it's probably Tyler Perry.
Imaginary Heroes (2004)
Comes across as patently false...are there really any suburbs in America like this one, with its family's cute, tragicomic disintegration in the wake of a son's suicide?
Because of Winn-Dixie (2005)
Because of Winn-Dixie
—based on the beloved novel by Kate DiCamillo—turns out to be a modest success for the family crowd.
Sky Blue (a.k.a. Wonderful Days) (2004)
From [its] tone-poem opening to an operatic finale,
is a visual marvel that deserves to be seen if not believed.
Her Majesty (2004)
has worse problems than a lack of realism, namely mediocre direction and acting that's at the level of bad community theatre.
Reasonably satisfying cinematic junk food...enough crackerjack sequences and admirably trippy rhythms for a recommendation.
Batman: Mystery of the Batwoman (V) (2003)
Over a decade after the premiere of
Batman: The Animated Series
, the extended
animation family hasn't quite worn out its welcome.
Batman & Mr. Freeze: Sub-Zero (V) (1998)
One of the less-inspired animated
efforts [but] an enjoyable and generally kid-friendly adventure all the same.
Batman: Mask of the Phantasm (1993)
Respects the character...and winningly combines personal drama and clever themes with intrigue and action to tell a story in keeping with Batman's classic comic adventures.
Batman Beyond: Return of the Joker (V) (2000)
The PG-13 rating...reflects the mortal intensity of this most chilling of animated
Gegen die Wand (Head-On) (2005)
is not for the faint of heart, with its depressive magnetism to bloody violence...[a] twisted, rough-hewn mad-love story.
The Wedding Date (2005)
It's a blessing that
The Wedding Date
doesn't try too hard, but it's a curse that it doesn't try hard enough.
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