Ripe for reappraisal...the storytelling integrity and thoughtful themes of a good novel. 

Ripe for reappraisal...the storytelling integrity and thoughtful themes of a good novel. 

While there's little doubt that Man From Plains amounts to hagiography on Demme's part, it's also surprisingly gripping viewing for over two hours. 

With The Wire now off the air, Battlestar Galactica can make a strong case for being the best show on TV. 

For extreme skiers, life on the slopes isn't exactly "live fast, die young," but it's close. Mark Obenhaus' doc about the mortally risky sport of big-mountain skiing will hold most interest for those... 

A sort of teenage Fight Club, complete with daddy issues, Never Back Down is a slight refinement of the sort of picture that was ascendant in the '80s... 

The structure and layered storytelling make Gone Baby Gone richly satisfying. 

A big, bold Hollywood movie that won't be winning any awards for subtlety but can't be denied its popcorn appeal. 

A resonant Pacino...though ultimately a misfire, suggests that there are worse things to call a movie than 'a curiosity.' 

Pacino at the top of his game...[but] the film's lack of faith in its audience is glaringly apparent. 

Abstract art has always had its skeptics, but the documentary
My Kid Could Paint That gives new meaning to "artistic inquiry."
Following a blithely instinctive painter under investigation by
uncon... 

In and of itself, the story offers rich dramatic material that Haggis exploits well, but the writer-director's unsubtle condescension to his audience represents small thinking. 

Markovics expertly projects every craven instinct and heartfelt yearning of the complex protagonist, making The Counterfeiters an experience as satisfying emotionally as intellectually. 

A sort of cinematic comfort food: it's the mac and cheese of the cineplex. 

The film gets a full 'This is a work of fiction' disclaimer, even noting that any resemblance to any person living or dead is unintentional. That tells you something about how much trust to put in these historical CliffsNotes. 

Series creators Todd A. Kessler, Glenn Kessler and Daniel Zelman put a premium on giving every episode at least one major plot twist...generally a satisfyingly suspenseful ride. 

The only real problem with the film is that it isn't long enough...wild story, complex and crammed plot, far-reaching cast of characters, terrific voice work, and sophisticated themes... 

A kid's movie for adults, a charming notion for a time of postmodern ennui. 

A straight-ahead suspense melodrama, complete with villain and a climax with satisfyingly clean lines. But Gilroy constantly elevates the material with surprise gifts. 

Inflated talk of American Gangster as a modern masterpiece--or even an Oscar-worthy picture--ignores the fact that there's not a single memorable setpiece in the film. 

Director Milos Forman (One Flew Over the Cuckoo's Nest) and screenwriter Jean-Claude Carrière (The Discreet Charm of the Bourgeoisie) join forces for Goya's Ghosts, a reckless historical-ficti... 

Lee provides no such easy comfort, instead keeping audiences constantly off-kilter, purposefully frustrating them with character behavior that's just...wrong. 

The dichotomy of Rickles' customary matador-theme entrance and tongue-in-cheek but true theme song "I'm a Nice Guy" captures Rickles' secret of success: you gotta love him. 

One of the film's prime strengths is its wordless willingness to let the principal characters express themselves through music and mime to overcome cultural barriers. 

Though it panders shamelessly, it's not entirely unwelcome in a time when the PG movie is an endangered species. 

It's a dicey proposition to reverse-engineer a story, and Across the Universe shows the strain...[nonetheless] a very impressive music-video anthology. 

An historical story of consequence and consequences around an enduringly lively social argument. 

Kon marries visual dazzle to unblinking pop existentialism in ways that make viewers' heads hurt so good. 

Deluxe tribute to the playwright gets by, surprisingly, as much by romantic poignancy as farce...it's hard to dislike a picture so in Love with its subject. 

Sends the endlessly bickering couple to Paris, where the great director Roman Polanski gives them a rectal exam. I wish I were kidding. 

Verhoeven doles out his customary boobs, bombs, and blood, but the tension between thrills and serious consequences splits Black Book's difference. 

Charms in large part due to the performances of the two stars. 

Butler, though puportedly attractive, gives a chipmunk-chipper performance that can only be described as supremely annoying. 

The cinematic equivalent of the guy who runs up to a cop, grabs the cop's hat, throws it to the ground and takes a shit on it. One is left a bit speechless. 

"Science-fiction nerds will be in hog heaven with this feature-length indulgence of time travel, and the customary Futurama gag humor rarely disappoints." 

Gracefully condenses the complicated history of the Irish Troubles in ways both literal and allegorical. 

The humor is up to Muppet par, with physical comedy, puns, running jokes, and layered gags...Muppet Treasure Island is grand family entertainment. [new DVD review] 

We're a long way from the creative energy, heart, and charm of Henson's Muppet movies, even though I'm not ready for the Henson Company to stop trying. 

A brisk and consistently funny family entertainment. [new DVD review] 

The series may well have been the last great variety show, weaving running-gag comedy through standards, novelty songs, and sketches performed with impeccable puppetry and alongside entertainment legends. 

Few family films have the breadth of appeal of The Muppet Movie, the best screen evidence of the Muppeteers' dedication to magnificent illusion. [new DVD review] 